Sdraulig, C. & Lortie, C. (2019). Recent Audio Scores: Affordances and Limitations. In C. Hope, N. Grant & L. Vickery (Eds.), Fifth International Conference on Technologies for Music Notation and Representation. Paper presented at TENOR ’19, Monash University, Melbourne, Australia, 23-27 July (pp. 38-45). Melbourne, VIC: Monash University.
Sdraulig, C. (2018). The Effect of Loudness on the Perceptual Representation of Voiceless Vowel and Fricative Timbres. In E. Thoret, M. Goodchild & S. McAdams (Eds.), Timbre Is a Many-Splendored Thing. Paper presented at Timbre 2018, McGill University, Montreal, Canada, 4-7 July (pp. 148-149). Quebec: McGill University.
Sdraulig, C. & Baldwin, M. (2015). externalized traces – In Conversation with Charlie Sdraulig about ‘few’. See Michael’s performance and reflections on this piece here.
Sdraulig, C. & Rutherford-Johnson, T. (2013). ‘The risk of sound being produced’: Charlie Sdraulig.
Sdraulig, C. (2013). Interaction in line, breath and process.