Charlie Sdraulig composes interactions at perceptual and physical thresholds.
His music has been performed by Gwenaelle Rouger (France) at the SPOR and Ear to the Ground festivals, Marco Fusi (Italy) at the Kalv Festivalen, the Spektral quartet (USA), Adam Tendler (USA) at the MATA festival, Weston Olencki (USA), Zubin Kanga (Australia), Distractfold (UK), Max Murray (Canada), [nullpoint] (USA), Apartment House (UK), Ensemble SurPlus at Schloss Solitude (Germany), and the Quiet Music Ensemble (Ireland) among others.
He is a Ric Weiland graduate fellow at Stanford University, where he is completing a Doctorate in Composition with Brian Ferneyhough. He holds a Master of Music in Composition with Distinction from the Royal College of Music (London, UK), as well as Bachelors of Arts and Music from the University of Melbourne (Australia). His research encompasses writing upon social interaction and relation in experimental sonic practices, as well as empirical studies in timbre perception. Charlie’s scores are published by the Australian Music Centre.
Contact: c-sdraulig [at] hotmail [dot] com